Just Like Us at Internationale Kurzfilmtage Oberhausen

Just Like Us is in competition at Internationale Kurzfilmtage Oberhausen and plays in International Competition 8. I will be in attendance!

Stars

International Competition 8

(afterwards: discussion with the directors at the Festival Space)

Just Like Us, Jesse McLean, USA, 2013, 15′

Radioactive, Funahashi Atsushi, Japan, 2013, 35′

U ime naroda, Dalibor Martinis, Croatia, 2013, 18′

Hina no kubi, Funayama Hiroko, Japan, 2014, 5′

Adeline for Leaves,  Jessica Sarah Rinland, GB, 2013, 13′

Mon, 5 May, Lichtburg Filmpalast/Lichtburg, 14.30 h

Discussion: Mon, 5 May, Festival Space, 16.00 h

Mon, 5 May, Lichtburg Filmpalast/Gloria, 22.30 h (repeat)

Just Like Us at Art of the Real – with Farocki and Pearson!

Just Like Us plays as part of Art of the Real with Harun Farocki and Benjamin Pearson. Can’t describe what an honor it is to screen my work with these people!

7:00pm BUY TICKETS
Francesca Beale Theater
 
A NEW PRODUCT
HARUN FAROCKI, 2012
GERMANY | GERMAN WITH ENGLISH SUBTITLES | FORMAT: DIGITAL PROJECTION | 37 MINUTES

At a design consultancy in Hamburg, a new corporate office concept is under development. In long, awkward office meetings, illustrated with perplexing diagrams, senior staff pontificate on the future thriving workplace, one inevitably powered by neoliberal buzzwords like flexibility, openness, and communication. With a light touch, Farocki arranges these scenes into a revelatory black satire of contemporary managerial process.

Screening with:

Just Like Us
Jesse McLean | USA | 2013 | Digital Projection | 15m
The memories of an anonymous narrator who was once a body double for a famous actress punctuate a vast suburban waste space of empty parks and big box parking lots, and mingle with paparazzi footage and clippings. Here the tabloid insistence that we become intimate with the lives of celebrities takes a deep literal turn.

Former Models
Benjamin Pearson | USA | 2013 | Digital Projection | 20m
A sci-fi toned meditation on celebrity and the loss of the self in the public image, Former Models retraces the tragic rise and fall of Milli Vanilli, narrated by Rob Pilatus himself, in the form of a robot voice.

SERIES: ART OF THE REAL 2014

VENUE: ELINOR BUNIN MUNROE FILM CENTER

FPS featuring Jesse McLean at the Tivoli in Kansas City, MO

Plug Projects, in collaboration with The Kansas City Art Institute Painting Department and University of Missouri Kansas City Department of Communication Studies, is pleased to present Jesse McLean’s moving image work to a Kansas City audience. McLean’s videos use the cultural detritus of the media landscape to explore the experience of mediated psychic spaces. “My work is motivated by a deep curiosity about human behavior and relationships, and is concerned with both the power and failure of the mediated experience to bring people together.”

Five of McLean’s films will be screened, The Eternal Quarter Inch (2008); Magic For Beginners (2010); Remote (2011); The Invisible World (2012); and Just Like Us (2013). The screening will take place Wednesday, April 23rd, 7 p.m. at the Tivoli Cinemas in Westport (4050 Pennsylvania Ave, Kansas City, MO 64111).

With a sense of both deep empathy and skepticism, McLean’s work investigates the nature of our media saturated existence. It questions how the nature of the human experience might be changing through and because of our ingrained relationships to mediation. In an interview with Jesse Malmed from Bad at Sports she says, “My work is about both the power to and the failure of mediated experiences to bind us together. I temper the experiences that are procured through media in an effort to understand why they are so effective.” Collaging a wide variety of sources into evocative visual and aural spectacle, McLean’s creates transformative experiences that are undergirded with a sincere desire for understanding.