See a Dog, Hear a Dog
17:40, Video, color, stereo, 2016

Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, this video probes the limits and possibilities of communication. Can we ever truly communicate with a machine, with a nonhuman animal, with each other? Our anthropomorphic tendencies, our fear of replacement by nonhuman forms, even our interpersonal limitations, can’t foreclose the possibility of connection and understanding, a great unknown sometimes called trust. (JM)

With YouTube dog videos, chatbot dialogue windows, and iTunes visualizer among other sources, See a Dog, Hear a Dog—McLean’s latest analytic tragicomedy of infinite human desire and finite technological capacity—considers the deficits and surpluses produced by attempts at communication among humans, animals, and machines; both directly and as mediated by one another. (Colin Beckett)

See a Dog, Hear a Dog TRT 17:40, 2016, video, color, stereo Distribution: Video Data Bank Synopsis: Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, this video probes the limits and possibilities of communication. In this liminal cinematic space, the fear of conscious machines is matched with a desire to connect with nonhuman entities. Algorithms collaborate and improvise. Dogs obey/disobey human commands, displaying their own artistry and agency in the process. Technology, from domesticated animals to algorithmic music to chat rooms, reflects human desires but has its own inventiveness. Can we ever truly communicate with a machine, with a nonhuman animal, with each other? Our anthropomorphic tendencies, our fear of replacement by nonhuman forms, even our interpersonal limitations, can’t foreclose the possibility of connection and understanding, a great unknown sometimes called trust. (JM) With YouTube dog videos, chatbot dialogue windows, and iTunes visualizer among other sources, See a Dog, Hear a Dog—McLean’s latest analytic tragicomedy of infinite human desire and finite technological capacity—considers the deficits and surpluses produced by attempts at communication among humans, animals, and machines; both directly and as mediated by one another. (Colin Beckett) Screenings: Projections, New York Film Festival; International Film Festival Rotterdam; Transmediale, Berlin; Alchemy Film and Moving Image Festival, Scotland

SCREENINGS + EXHIBITIONS:

Haggerty Museum of Art, Nohl Fellowship Exhibition, Milwaukee, WI
Projections, New York Film Festival, NY, NY
Anthology Film Archives, NY, NY
Rooftop Summer Series, NY, NYtarn
Winnipeg Underground Film Festival, Winnipeg, Canada
European Media Arts Festival, Osnabrueck, Germany
Crossroads, San Francisco, CA
Chicago Underground Film Festival, Chicago, IL
Dallas Mediale, Dallas, TX
Milwaukee Underground Film Festival, Milwaukee, WIal
Iowa City International Documentary Film Festival, Iowa City, IAiff
Image Forum Festival, Tokyo, Japan
Minneapolis St. Paul International Film Festival, Minneapolis, MN
San Francisco International Film Festival, San Francisco, CA
Athens International Film and Video Festival, Athens, OH
International Film Festival Rotterdam, Rotterdam, Netherlands
Transmediale, Berlin, Germany
Alchemy Film and Moving Image Festival, Scotland
IMPAKT Festival The Animal Paradox, Utrecht, the Netherlands,
Bunjil Place, The Mother of All Data
Laznia Centre for Contemporary Art, Beyond borders. Processed Body - Expanded Brain, Gdansk, Poland, Jan. 16, 2020